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I've been around music and film my whole life, and love watching and reading about all of the action backstage and behind the scenes.

From the independent film producer who has to make his or her day despite inclement weather, to the guitar tech changing the umpteenth set of strings on the bus at 2 AM, I'm fascinated by these people and their stories.

If you've ever wondered who some of those people are in the long list of credits at the end of a movie and how they got there, or who those sweaty folks in black T-shirts are doing on-stage before a concert or what the hell a record producer actually does, then this podcast is for you.
Thanks for listening.

Apr 16, 2018

It’s 1968. You've recently turned 17, you already have one son, and your first marriage is pretty much in the wind. You end up living in a band house and without any prior experience you become their drum tech, and in that instant your fate is sealed. You will go on to lead an incredible life full of chance, travel, respect, challenge, and music. Always music. After fifty years as a working and dedicated FOH engineer, Dansir McCullough still believes in the power of music, and the thrill it gives him night after night to stand at the center of it all, and push the faders up on over a hundred microphones. Dansir’s big break came with Ted Nugent, who he would mix for from 1976-1984. Prior to that he had been with Bob Seger, the Rockets, and the Tea. Since 1984 he has mixed for Patti Labelle, Aerosmith, John Waite, Ace Frehly, Alice Cooper, Gladys Knight, Billy Idol, the Grand Rapids Symphony, the Opera Grand Rapids, and the Grand Rapids Ballet. For over eleven years he was the president of the Stage Hands Local #26 I.A.T.S.E.